The Iconology of Gender II. Gendered Representations in Cultural Practices

Sorozatcím: Papers in English & American Studies XV.

Alcím: Eastern & Western Traditions of European Iconography 3.

Szerkesztők: Kiss Attila – Szőnyi György Endre

Kiadás éve: 2008

ISBN 978 963 482 875 4

Súly: 356 g

Egyéb információk: 210 oldal, B/5, kartonált, fóliázott, angol nyelven

CONTENTS

FORUMS OF GENDER ANTAGONISM IN LITERATURE

Dobolán Katalin

Pícara, Pícaro, and Moll Flanders

Márta Gaál-Baróti

Androgynie in Novalis’ Heinrich von Ofterdingen

Tatjana Jukić

Dangers of Gendering: the Case of Pre-Raphaelitism

Ágnes Zsófia Kovács

Gender as Performance in Henry James: The Role of Portraits in The American

Mária Bajner

The Trop of Angels in Women’s Short Story and Fiction

Cristian Réka Mónika

Albee’s Child Icon

GENDERED IMAGERIES OF CULTURAL PRACTICES

Urszula Szulakowska

Gender Transformation in Alchemical Imagery, Renaissance and Post-modern

Irene Werner Stage

The Use of Gender and Body in Alchemical Practice in Late Medieval and Renaissance Alchemical Iconography

Róbert Péter

The Gender Constructions of English Masonic Ideology and Practice in the Eighteen Century

Irén Annus

Gender in the Landscape: The Cultural Transformation of the Garden by the Mid-19^th-century US

Elizabeth Mix

Icons of Evil: Amazones and Their Toys

THE PERFORMANCE OF SELF-REPRESENTATION

Anna Wessely

Gendered Aesthetic Concepts and the Iconography of Gender in the Late Eighteenth Century

Anna Makolkin

Sartorial Iconography and Universal Gender Entrapment

Kérchy Anna

Carnal Re-presentations in Orlan’s Body Art. Surgical Interventions Subverting the Iconography of Femininity

Sabine Coelsch-Foisner

„I Am….”: Iconographic Representations of gender in Stevie Smith’s Poems and Doodles

Susanna Välimäki

Gender, Sexuality, Self-portrait – and Country Misic: k.d. lang’s Johnny Get Angry

THE GENDERED FILMIC SUBJECT

Dragon Zoltán

The Disappearing Body: The Unrepresentable Carnality in Joseph L. Mankiewicz’s Suddenly Last Summer

Éva Federmayer

The Race Movie and the Iconography of the New Negro Woman: Oscar Micheaux’s Within Our Gates (1920)

Zsolt Győri

Woman Overlooked: The (Im)possibility of Fatherhood in Two Films by Stanley Kubrick

Andrea Virginás

Post(modernism). Noir Traces in 1990^s Crime Movies

Papers Read at the Conference, „The Iconography of Gender” July 14–17, 2003